Description

■I SURVIVED FIRST AMERICAN TOUR 1978 Roberta Bayley Photo Book 2015■

This book is a collection of 40 photographs selected for the Roberta Bayley Photo Exhibition. This is the first book to be published exclusively on Roberta Bayley’s work, both in Japan and abroad. This is the first book of her photographs published in Japan in more than ten years.

[Size & Specs] A4 size, 200mm x 290mm
[Price] 1,500 yen
[Number of copies: 3000 copies, 52 pages (including front page)
[Specifications] Shrink-wrapped
[Release date] Late May, 2015 (scheduled)
[Editor] Ta𝹉utoeu゙risink゙
[Publisher] JUBILEE Co.

Rohe𝹉ruta he𝹉illy
Roberta Bayley is a photographer who has always been at the center of the “hammermuseum”. She has been an indispensable photographer of the music scene from the 70’s to the 90’s. In 1971, she was invited to the Iki゚ sixty-five, and in 1972, she was appointed the first photographer of the Iki゚ sixty-five.
In 1971, he moved to Iquitos, where he worked with Malcolm McLaren (Sex & Hip Hop’s money manager) and Uriah Westwood (fashion designer). He had a fateful encounter with the fashion house, Wu12441; Sa゙ Sa゙ Iner), and moved to New York City. He moved to New York City, where he worked at the legendary CBGB and became friends with many of the artists and artists who appeared on the show.
He was also a member of the then unknown Ramones, F𝹉Ronte𝹉s, Teleu𝹉s, Talkin𝹉s, Hess𝹉s, Richart𝹉s, Hell𝹉s, and H𝹉s. He was also a member of the New York City Board of Directors and the New York City Chamber of Commerce. His photographs of snuff and snaps of the band’s life and career were published in rock music magazines, and his talent as a photographer was gradually recognized.
In 1976, he became the chief photographer for the first issue of “PUNK MAGAZINE”, which featured his work with Sex Hits, Ramones, Lonte, and the band on tour. He has also toured with Alha⿑s and has been a member of the Alha⿑s touring team for the last two years. He has also been a member of the Alh⿑s “RAMONES,” the first Alh⿑s “RAMONES,” “RICHERT⿑HER⿑S⿑S⿑U,” and “RICHERT⿑S⿑H⿑S⿑U,” as well as the “RICHERT⿑S⿑H⿑S⿑U” album. The first album “RAMONES” by Alhambra, “Blank Generation” by Rechart⿑s Hell & Sa⿑u, “L.A.M.F.” by Hart⿑s Lakers⿑and many others.
He is also the author of the CBGB photo book “CBGB & OMFUG”, “blank generation revisited”, “PUNK365” and many other books and magazines. Ramones𝹉s documentary film “End of Century”, H゚Tee Smith゚s “An Unauthorized Biography”, H゚clockt゚s documentary film “Punk: He has also appeared in and contributed material to several films, including “Punk: Attitude,” a documentary film.
In recent years, he has curated the “Bande a Part” photography exhibition, which was held in Tokyo, New York, Paris, New York and Paris, and in 2009, he was the organizer of the “Punk: Attitude” exhibition. In 2009, her work was included in the permanent collection of the Museum of Modern Art, New York, and in the “Looking at Music, Side 2” exhibition. The exhibition, “Who Shot Rock & Roll,” was held at the Lookin’ Museum of Modern Art in January 2010, and was the first of its kind in the world of rock ‘n’ roll, capturing its hy𞘙visual aspects. The exhibition introduces the photographer as one of the artists who have been responsible for spreading the image of Rock & Roll to the world by capturing the world of Rock & Roll in its h𝹉s hӜual aspect.
Rohe𝹉Ruta He𝹉Illy and the Sex Hits゚Struss𝹉U.S. Tour
It was January 7, 1978, in New York City, when Rohe𞘙Ruta, who was working as an exclusive photographer for PUNK Maca゙s, received a phone call: “I’ve come to San Francisco to accompany He゚Struss゙ on his tour. I need you to fly to San Antonio as soon as possible to accompany me on a tour of New York.
At the time, New York had been rumored to be the place to go for a tour of the U.S., but I was not sure if it would be a tour or if he would not be coming to New York. The Punk Makas⿑s editorial team was on hand, and none of the fans were disappointed. Rojes𝹉Luta, who wanted to see the band, immediately declined the invitation and flew to Texas, where he and PUNK editor-in-chief John Holmstrom accompanied the band to cover the event.
Rohe𝹉ruta, who was an old acquaintance of Malcolm McLaren, who was the money manager of H゚Struth𝹉s company, was not only a stayer but also a ha゙ssistant. She also took the time to follow the tour and to ask the tour guides not to take her on tours. She or the other photographers who filmed the tour and the off-stage footage of the band, along with articles about the tour and its sudden dissolution, were featured in the PUNK Magazine. The band’s off-stage appearance appeared in issue #14 of PUNK Magazine, along with an article about their tour in the U.S. and their sudden dissolution.
Ehi゚sort゙- A photo of Randy’s Te゙s in San Antonio, or away from the stage, shows half of the audience that day, “the people who came to make trouble”, or “the people who came to make trouble”, as the band called themselves. The audience was not happy with the performance, and the atmosphere was not violent at all. During the performance, the audience kept spitting and throwing cans at the audience. During one of these staged events, the famous huffing and puffing or beating of one of the guests occurred. – This photo of Rotton with a heel in one hand was taken after the San Antonio performance. Rotton was a calm and intelligent man, but he also had an extreme misanthropic streak. – He took a plane to the Longhorn Ballroom in Las Vegas, and then flew with the rest of the band to the Longhorn Ballroom for a tour of the Longhorn. I went to the hotel and went on a tour. The first group to arrive was the Longhorn group, and they had a little extra time, so they took a photo of themselves. Stief𝹉and Ho゚r are seen again at the Longhorn sign with a statue of a cow underneath it, along with the names of famous country musicians. – When he was talking to Sito, he told him that he wanted to be like Iki and that he wanted to die by the time he reached 30. He told him, “I am alive again after 30 years.

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